Ruth Ible, Simon Ible & Estella Letman

The Ibles—comprised of Ruth, Simon, and Estella—share a compelling narrative of their upbringing and musical journey, deeply rooted in the New Testament Church of God in Highgate, Birmingham.

Born to St. Kitts parents, music and faith were central from birth. Their childhood home constantly resonated with American gospel artists like the Clark Sisters and Andre Crouch, and their father, a naturally talented steel pan musician, significantly influenced their development.

Estella’s journey is particularly profound: she was born unable to hear or speak, gradually recovering her senses between ages five and seven through her mother’s unwavering prayers and persistence in seeking medical help. This experience instilled in Estella immense gratitude for her ability to hear and interpret music, a gift she doesn’t take for granted.

Church activities were non-negotiable, ensuring the siblings were constantly involved in playing keys, drums, or singing. The church served as a vital “platform” for them to “shine” when secular opportunities were limited. Ruth, the eldest, naturally assumed teaching roles, leading the junior choir and later teaching at school. National youth events broadened their horizons and fostered connections across the UK.

Simon recalls practicing drums at Highgate Church, observing the Highgate Gospel Choir, and being inspired by drummers like Junior Martin and vocalists and keyboardists such as Fritz McIntyre (who later joined Simply Red). This rich musical environment surrounded them with immense, though often unappreciated, talent.

Despite a strict upbringing that limited engagement with secular activities like cinema, their parents consistently encouraged their creative talents. A poignant moment occurred when Simon finally asked for singing lessons; his father had been “waiting until you asked me,” emphasizing the importance of a child’s readiness to pursue their gifts. The siblings, now parents themselves, apply this principle, encouraging their children to explore music and arts without coercion.

Simon continues to be drawn to female vocalists, naming Rose Anderson and Jennifer Phillips as influential sopranos. Carlene (a possible error in the text, likely referring to one of the sisters) recalls touring as a young teenager with Carla Hales and being part of the original “New Life” group, which later won a MOBO award. Simon, a percussionist, highlights his current work with the Rush Theatre Company, sharing the Windrush story through music and comedy.