Ray Prince

Ray Prince's musical journey began at age three or four, marked by a persistent desire for toy drums and an early affinity for the tambourine, recognised in a 1977 school report for his "very good" rhythm.

Attending Sparkhill Church of God of Prophecy, he was captivated by his brothers, Trevor and Glenn, playing with Shiloh Band at George Street. A pivotal moment occurred in 1979 when Trevor, noticing Ray’s rhythmic tapping, bought him congas and asked him to perform at a concert, marking Ray’s first public appearance at eight years old.

Initially a percussionist, Ray was inspired to play drums by Lesburn’s animated style and “massive drum kit”. Trevor and Glenn often had him fill in for Lesburn at weddings, teaching him to “just keep the beat”. A significant confidence boost came from playing for vocalist Ava Johnson’s reggae-groove song, “I just feel like something’s going to happen, at a Leamington Spa concert. Despite his shyness, Trevor consistently encouraged him to “lift up your head and play”.

Ray’s drumming career flourished through regular performances at church conventions and for various Church of God of Prophecy choirs in Birmingham, providing discipline and opportunities to play with talented local musicians.
Vidal Watson’s holistic approach to drumming and unique style, as Vidal understood the entire musical experience, not just his instrument. A daunting but confidence-building experience was playing for the Mass Choir (200-300 strong) at Brighton at age 15 or 16, with encouragement from Trevor and Colin Peters.

His mother, Frances Prince, though not a singer, served as his “marker or standard” for good playing due to her deep appreciation for music. He vividly recalls his late godfather, E. McCullough, playing the banjo with a tambourine at Mount Pleasant, creating an “absolutely amazing” sound that seemed like a full ensemble, deepening Ray’s appreciation for rhythm. Ozzie Williams’ “ridiculous” and full guitar playing at George Street also left a lasting impression.

Ray also holds high regard for other drummers like Vidal Watson and Nikki Brown, noting their distinctive styles and musical knowledge. He played for the Shiloh band at 15, learning discipline from their “simple but effective” motto. A significant opportunity in the early ’90s came from playing for “The Well,” a gospel platform in non-traditional venues that featured diverse artists and supported international acts.

Ray transitioned into music education, working for Dudley Council as a community music coordinator and then as a peripatetic music teacher specialising in various percussion instruments for over 20 years.